Qin's terracotta army consists of life-size figures of warriors, depicted in battle dress according to rank an unit, and numerous figures of horses and chariots, and this is only part of what is believed to be his grand tomb. The terracota army lies approximately a mile east of Qin's main tomb which is said to contain spectacular objects. To date only trial digs of the main tomb site have been completed and they have yet to find the main entrance to the tomb.

Emperor Qin ordered the construction of his tomb when he was only 13 years old, an order that involved hundreds of thousands of workers and thirty-six years to complete. It is also believed that Qin ordered that the tomb workers and supervisors involved in its design be buried alive to protect its secrets.

Anyone wanting a good idea of Emperor Qin's life should rent a copy of The Emperor and The Assassin. It's a long movie, 2 hours and 41 minutes, with English subtitles, so it's not easy to follow at times, but it presents a fairly accurate history of Qin's efforts and struggles to unite China.

To date three underground pits, totaling 22,000 square meters, have been discovered with 8,000 life-size terracotta figures of warriors and horses. Each pit lies 15 to 20 feet below current ground level and was constructed with the figures placed in corridors or rooms. These corridors, separated by earthen walls, are paved with pottery bricks on which the warriors and horses stand. Large wooden planks placed over the corridors between the earthen walls and covered by layers of mats made from fibers formed the roofing. This was then covered by earth to conceal the the army's location. In the 2,000 years since its construction the roofing collapsed damaging the figures and there is evidence of fires indicating the presence of tomb robbers also.
Construction of the terracotta warriors is interesting and, considering they're over 2,000 years old, very high-tech for the period. Prior to Emperor Qin Chinese pottery was relatively small and fired at low temperatures. Studies of these life-size pottery figures, weighing between 242 and 660 pounds, indicate they were fired at much higher temperatures, between 950 and 1,050 degrees centigrade, resulting in a much harder pottery figures. Constructed from local clay all of the figures were constructed essentially using the same methods. The head, arms and bodies of the soldiers are all hollow with the legs being solid pottery. The same is true of the horses, their head and body are hollow with solid legs. Archaeologist believe that separate molds were used to make the various body parts, with these parts being glued together prior to firing the pottery. The human heads were made from a two-piece mold that were joined together later on. The ears, nose, hair and other facial features were individually sculpted and added prior to firing. In addition to the facial features the armor, belt hooks, shoe ties and costume details were also independently sculpted. As a result each warrior has a different and unique appearance, no two are exactly the same. The names of the craftsmen creating each figure was inscribed on the warrior's robe, leg or armor. Similar practices were also employed for sculpting the horses making them unique also.

Looking at the great attention to detail that these artisans had, It's evident that they took great pride in their work. We are indeed fortunate today to be able to stand before Emperor Qin's mighty army and behold its beauty.